Tag Archives: Angus Young

AC/DC: Malcolm Young and his Gretsch Roc Jet Guitar

A couple of weeks ago, some of you might have noticed that guitarplayer.com posted an article on a Gretsch Roc Jet guitar (1971), previously owned by Malcolm Young of AC/DC fame, which we had for sale here on the site. With the guitar having been sold a few days ago, we thought it would be interesting to have a look at the history of AC/DC, Malcolm Young and his guitars.

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No matter how you look at it, the story started in November 1973, when the Young brothers, Malcolm and Angus formed the band that would soon be called AC/DC. When vocalist Ronald Belford “Bon” Scott replaced original singer Dave Evans in 1974, the first epoch of quintessential AC/DC history truly began. Bon Scott infused the band with a lot of the lyrical of visual imagery that they are famous for, and his punch-in-the-gut attitude and vocals were in perfect harmony with the vision the Young brothers had for the group. The first three years with Bon Scott as frontman proved successful, and though the band were still in its formative years, this period laid the foundation for the massive international success that would follow in the years to come. The years 1976-1980, shortly after AC/DC signed with Atlantic records, proved to be some of their hitherto most successful yet, with their popularity seemingly unstoppable in its rise, despite various problems, such as new bass players, and being linked to the Punk scene by the UK press. However AC/DC powered through all of this, and it was only in 1980 that they met the first real show-stopper of their career. When Bon Scott died in 1980 due to alcohol induced circumstances, many believed it to be the end of the band, and AC/DC themselves also considered breaking up the group. Yet when they were spurred on by Scotts parents they realised that he would have wanted the group to go on, and then began the hunt for a new frontman and singer, not to replace Bon Scott but to fill the place in the band he had left vacant.

Brian Johnson was found to be a suitable new vocalist, and with him the band recorded the album Back in Black, an album which functioned as both a tribute to Bon Scott as well as a clear signal of the bands continued power and energy. Though the band continued to rise during the next three years, the period 1983-1987 signalled a decline in commercial success, even though the group continued to play for huge crowds around the world. The next seven years was spent regaining the previous success and popularity of their former glory, and there can be no doubt about the success of this endeavour. Since then it seems that AC/DC have been on a continually ascendant, and the five studio albums released since then have all become platinum releases many times over. A notable example of the bands fame was their show in Russia in 1991, when the played for an estimated 1 million people! The Young brothers and Johnson have continued to drive the band ever forwards, and just a short while ago they finished recording their latest album. However more on that and the bands current status a bit later. First a nice little video and a talk about some lovely guitars.

The way Vintage & Rare came into contact with AC/DC and Malcolm Young this time around was due to a seller contacting us wanting to sell his 1971 Gretsch Roc Jet guitar that have been previously owned by Malcolm Young. The guitar does actually have a nice little story behind it and is also a beautiful and genuinely nice musical instrument. The seller of the guitar was nice enough to explain the story of the guitar for us:
“My father met Keith Evans (known as Evo) to buy a jukebox, as that’s his trade (jukesofstafford). He was buying a jukebox that turned out to once belong to Bill Ward of Sabbath, as Keith was a guitar tech for them plus AC/DC (…) As my father is also a guitarist, he got talking to Evo about guitars & he mentioned selling the Roc Jet that Malcolm Young had given him after a US tour. He said it was destined for spares originally but Malcolm liked playing it, using it mainly in sound checks, and gave it Evo as a gift at the end of the tour (…) I bought the guitar in original case, only changing the plastic pickup surrounds which were cracked, although they were replaced with genuine US Gretsch spares.”

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Though it is lovely to tell the story of such a great band and such a beautiful instrument, there is also a certain sadness to the subject of AC/DC these days. Even though the band have just recently finished recording their next album, the plans for a 40 year anniversary tour and the general future of the band is subject to much scrutiny following the long term sickness of rhythm guitarist Malcolm Young. Having issued a formal break from the band via their official homepage, the internet is rife with rumours about the band disbanding and similar bad news. However following the completion of the recordings of the new album, frontman Brian Johnson have multiple times stated that Malcolm’s departure is only temporary, and that they have high hopes for his recovery. Johnson have also said that they have considered naming the album Man Down in reference to Malcolm’s absence.

Here at Vintage & Rare we of course respect AC/DC and the Young families wishes of further privacy regarding Malcolm’s illness, and wishes him and all the members of the AC/DC family all the best for the future, with high hopes for more shows, incredible rock and even more fantastic guitar handling in the future.
We look forward to the next great album, and hope that you will indulge our fascination with this little article springing from a curious guitar sale.

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Interview with guitarist François “Shanka” Maigret

François “Shanka” Maigret is certainly one of the best current French guitarists.
Multi-instrumentalist, guitar teacher, guitarist with “France de Griessen”, with “No one is Innocent” and singer-guitarist with “The Dukes”… among others.

François kindly accepted to answer to our questions and to tell us about his career, his projects, and of course his guitars and gear !!

Could you please tell us a bit about how you got into playing music ? Do you remember any specific moments that sparked your interest in music and playing guitar?
I started playing electric guitar at the age of 14. The original spark has been Angus Young… When I first saw that guy rolling on the floor while playing killer solos, I said to myself: “That’s what I wanna do… Whatever it takes!”. So I started learning on my own, listening to CDs, watching videos, buying songbooks. I discovered other great guitar players like Paul Gilbert, Stevie Ray Vaughan, Zakk Wylde, Dimebag Darrell, Nuno Bettencourt and so on and began recording myself, which helped a lot to make progress! Then, the usual story: first bands, first recordings, left my hometown for Paris, first pro band, first tour… Since there was no artists or musicians in my family, I thought it’d never work, but it’s been 10 years now so I guess I didn’t suck that much!

Which musicians or bands have been the greatest inspiration and have had the greatest influence on your understanding of music and your playing?
As I said, Angus was the original spark. Then I’d say that Paul Gilbert was my greatest inspiration, as a guitar player and as a teacher. I always loved the way he explained things with both humor and kindness. And no need to say his playing is mind-blowing… Later on I started listening to jazz and country players like Jim Hall (the classiest an on earth), Mike Stern, Tony Rice… I studied harmony and ended up creating my own solo style, which is a mix of blues, metal and be-bop, using country techniques like chicken picking or pedal-steel-like licks. As I read my last phrase, I must say it sounds rather pretentious, all the more because most of the time I end up on stage rolling on the floor making random noise…

Have you already jammed with one of them?
I jammed with Paul Gilbert once (thanks to the French magazine Guitar Part)… I was completely stoked. Still today I don’t understand how I could play a single note, I felt totally paralyzed. I met a lot of famous musicians and I’m generally acting “normal” in that kind of situation, but this time I was completely shocked. I saw him performing a masterclass in my hometown when I was 16 and had the chance to shake his hand… I didn’t wash it for days!!! When I told him that story the day we jammed together, he laughed his ass off!

What advise you give to fans wishing to perfect their playing and broaden out their understanding of music, or what is the first advise you give to your guitar students?
I’d say : “don’t forget where you come from, little monkey”. Since we’re all monkeys (we evolved a bit, but still!), the best way for us to learn things is to first imitate them. “Listen and repeat” is the best way to learn music, it worked with all my students, especially the ones with rhythmic or melodic issues. Then, in parallel, you study theory and start building your own personality! But ear training is definitively very important.

How many days a year do you spend on road? Is it hard to be on a tour and still keep the mindset to create and produce music?
I’d say half of my time is spent on the road. I recently had the chance to have a chat with the great Reeves Gabrels (Bowie’s former guitarist) and he told me how he thought that our lives were very similar to pirate’s, it totally struck me : a bunch of guys going from town to town, taking whatever they can, moving to the next city… It’s a thrill, really. It’s hard to get back to reality when you get back home, but it’s really worth it! I have my own studio to compose, produce and record so it’s not that complicated to keep making music, even if the creative part of the day sadly remains the smaller one… One’s got to pay his rent, like anybody!

Can you please tell us about the guitars, amps and effects you are mainly using, and why you have chosen the guitars & gear you have?
I’m mainly using a ’67 Gibson SG Jr, a Fender Elvis Costello Jazzmaster, a Daddy Mojo CigarBox guitar (which is amazing by the way) and two Roadrunner custom guitars. One of those is equipped with a miniaturized harmonica mic hidden in the upper horn that allows me to be called “the guitar whisperer”… Concerning the amps, I’m using a ’70 Fender Bassman 50, a custom Orange OR50 and a custom Marshall JCM800. I also have a Fender supersonic 100 that is really great.

Do you use the same guitars and gear with “No One is Innocent” and with “The Dukes”?
Depends on the mood, but yes mostly!

Do the guitars & gear you play live differ from the guitars you’re using during recording sessions?
Yes, in the studio I tend to record on much smaller amps. I’m using a few teles and my old Fender mustang too that I almost never use on stage.

Are you into vintage guitars & old amps/effects? If yes which brands/models and why? Maybe you have a special story to tell around one or more of your guitars?
I always hated the kind of Parisian snobs who judge you by the amount of vintage guitars that you own… Then I found my old SG Jr and started becoming a Parisian snob myself! But I still don’t judge people according to their gear! My philosophy is: I don’t care if it’s old or new, it’s gotta work and sound good. I recently bought a very cheap acoustic guitar so I can play when I go to my parents’ place… Eventually I brought it back to my studio since it sounds far better than my Taylor! I tend to like original instruments, like my Team Laser guitar-sitar or my cigarbox. I don’t care if the guitar is comfortable or not, if it’s got the sound that I want, I just adapt my playing to the axe I’m using. I’m really proud of the two models we designed with Laurent Hassoun (Roadrunner guitars): they’re pretty original and sound killer. Laurent is the best rock’n’roll luthier in France, no doubt. His instruments are amazing and the guy is a true rocknrolla!

What are your future plans? With “No One”, “The Dukes”, or alone?
I’m going to record the Dukes’ second LP in Los Angeles this summer, I’m pretty excited about it. I’m also working on No One is Innocent’s and France de Griessen’s new LPs these days… Composing’s my own disease: I just can’t help it, I’ve gotta work on new songs everyday! I also started playing with Abel Croze, an artist who plays for the children, which is pretty amazing… The show is pretty rock’n’roll, you should see those kids yelling, dancing and raising hell with their teachers completely losing control, it’s really something!

Any famous last words?
Music saves lives, don’t kill it… I don’t care if you download stuff, but be responsible and support your favourite artists or they’ll die (and I’m not talking about Britney or Miley, if you see what I mean!!). And above all, dare to be curious, there are fantastic new bands fighting to exist everywhere, all you’ve got to do is to find them… And with the internet there are no excuses!

More information about Shanka’s bands:

http://www.nooneisinnocent.net/
http://www.francedegriessen.com/en/
http://www.myspace.com/wearethedukes