Carl Martin / Andy Timmons Signature Comp / Effect For Sale
Carl Martin AT Signature Comp
Andy Timmons Signature.
The Carl Martin Andy Timmons Signature Compressor/Limiter! Just like the Carl Martin Compressor/Limiter, we believe this unit to be the most musically useful guitar dynamics processor on the market. The Carl Martin Andy Timmons Signature Compressor/Limiter has been developed in corporation with Andy Timmons to create a user-friendly yet versatile compressor/limiter with its two presets.
Andy Timmons, a long-time user, and fan of the Carl Martin Compressor/Limiter, suggested to Carl to create a Compressor/Limiter with two presets, so that he had a preset for more subtle rhythm parts, and a preset with more hard compression and sustain for other parts as solos without having to take up real-estate on the board for two Compressor/Limiters.
The result is a two-preset option for Compression Rate and Level. In order to save knobs and to be as user-friendly as possible, the Threshold and Response settings are fixed for both presets, leaving the pedal with only six knobs, the Threshold and Response being 6mm miniature knobs.
As a useful extra feature, we incorporated a ¼” jack for remote switching the presets (Latching).
As something new, the Carl Martin Andy Timmons Signature Compressor/Limiter incorporates the newly developed DC/DC converter circuitry. This enables us to run the pedal with +-12V internally, which is necessary in order to maintain the same sonic quality and headroom as on the “old” Compressor/Limiter using a regular 9V DC 200mA power supply.
The Carl Martin Andy Timmons Signature Compressor/Limiter has been developed to incorporate the same features, sonic clarity, quietness, and performance of the best studio compressor/limiters. Spend a little time with us here in the manual and you can learn some of the basics of compression and limiting, and how to get the most out of your pedal.
Carl Martin, Denmark
Carl Martin Company Profile
ESR was founded in 1990 as a professional PA sound rental company. Shortly after we began producing custom made audio equipment.
Our goal was from the very beginning to develop and produce products for the demanding professional musician, with a superior sound quality and features not seen on any other guitar effect pedal. As a result of that our first guitar effect pedal, The Hot Drive'n Boost, was introduced in 1993.
Due to our extensive knowledge of the professional music industry, and our contacts with a wide range of demanding musicians, we have been able to maintain a high quality of products and now have a range of 28 high quality guitar effect pedals, with more to come in the future.
In 2005 we released our first point point handmade tube amplifier the Custom Shop 50, the line now includes heads,- caps as well as a bass system.
CEO East Sound Research