Carl Martin / Compressor/Limiter / Effect For Sale
Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls, and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:
Threshold: Working anti-clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
Gain: Working clockwise, sets the overall gain.
Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.
Please inquire regarding the shipping costs if you are buying from outside of the EU
Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:
Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
Gain: Working clockwise, sets the overall gain.
Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.
Carl Martin, Denmark 
Carl Martin Company Profile
ESR was founded in 1990 as a professional PA sound rental company. Shortly after we began producing custom made audio equipment.
Our goal was from the very beginning to develop and produce products for the demanding professional musician, with a superior sound quality and features not seen on any other guitar effect pedal. As a result of that our first guitar effect pedal, The Hot Drive'n Boost, was introduced in 1993.
Due to our extensive knowledge of the professional music industry, and our contacts with a wide range of demanding musicians, we have been able to maintain a high quality of products and now have a range of 28 high quality guitar effect pedals, with more to come in the future.
In 2005 we released our first point point handmade tube amplifier the Custom Shop 50, the line now includes heads,- caps as well as a bass system.
Søren Jongberg
CEO East Sound Research
