Tag Archives: Fender Jazz Bass

The Great Scandinavian Guitar Show 2018 Gallery

The Great Scandinavian Guitar Show

In late Oct. 2018 V&R headed north to Stockholm / Sweden for the annual “The Great Scandinavian Guitar Show” at Fryshuset.

The Great Scandinavian Guitar Show is by far the oldest guitar show in Scandinavia. Well organized and a very friendly crew. Hotels are located in walking distance from the show = great!

Again this year a great crowd showed up and had a great time in the presence of worldclass vintage and boutique guitars from the retailers and private sellers.

Tip Top Food & Drinks

We really like that it is possible to get proper food and coffee at the show instead of the usual sandwich and hotdogs offerings at the most shows we have gone too. It makes such a difference.

Below you see pics and video interviews from the show. Feel free to share this post and tell us what you think in the comment section.

Only for vintage stuff?

No certainly not. You will find lots of cool vintage guitars, bass, effects and amps for sale at the show. But there is also a good amount of boutique builders offering their products to the public. More of that please!

Gentleman with vintage Fender Stratocaster - The Great Scandinavian Guitar Show 2018

Gentleman with vintage Fender Stratocaster

Groovin´ at the stage

Fretless bass played by a guest of the show

Vintage Fender basses on display from V&R seller and show co-organiser Anders Anderson.

Vintage and Custom Shop goodies on display from V&R seller, Akustikken

SG and Crestwood

Sonnemo Guitars

Sonnemo Guitars

Vintage guitars for sale from private seller

Vintage guitars for sale from private seller

This gentleman makes picks out of stone.

This gentleman makes picks out of stone.

Handmade stone picks

Handmade stone picks

Westerberg Guitars

Westerberg Guitars

Westerberg Guitars

Westerberg Guitars

Westerberg Guitars

Westerberg Guitars

Clement from GunCotton Guitars and Anders Anderson

Clement from GunCotton Guitars and Anders Anderson

Vintage Fender Basses for sale from Anders Anderson

Vintage Fender Basses for sale from Anders Anderson

Handmade dreadnought from Fredholm Guitars

Handmade jumbo from Fredholm Guitars

Handmade jumbo from Fredholm Guitars

The Baby Ditson and a mandolin. Handmade by V&R seller Fredholm Guitars

The Baby Ditson and a mandolin. Handmade by V&R seller Fredholm Guitars

A pair of cool Fender Custom Shop Stratocasters.

A pair of cool Fender Custom Shop Stratocasters.

Woodstock Guitars

Woodstock Guitars

Which one to buy? Gentlemen going over stuff at the booth of V&R seller, Jam Guitars

Which one to buy? Gentlemen going over stuff at the booth of V&R seller, Jam Guitars

Vintage Guitars at V&R seller, Jam Guitars

Vintage Guitars at V&R seller, Jam Guitars

Need a new pedal board?

Need a new pedal board?

The teams of Soulman Boards & Sonnemo Guitars

The teams of Soulman Boards & Sonnemo Guitars

V&R seller, Halkan´s Rockhouse

V&R seller, Halkan´s Rockhouse

Clement from Guncotton Guitars and Jan from Halkan´s Rockhouse.

Clement from Guncotton Guitars and Jan from Halkan´s Rockhouse.

Cool vintage pieces from V&R seller, Halkan´s Rockhouse

Cool vintage pieces from V&R seller, Halkan´s Rockhouse

More cool vintage pieces from V&R seller, Halkan´s Rockhouse

More cool vintage pieces from V&R seller, Halkan´s Rockhouse

1960 Fender Mandocaster from V&R seller, Anders Anderson

1960 Fender Mandocaster from V&R seller, Anders Anderson

V&R seller, Anders Anderson with unknown gentleman

V&R seller, Anders Anderson with unknown gentleman

Gentleman playing the old theme from SleepWalkers

Gentleman playing the old theme from SleepWalkers

 

 

The Great Scandinavian Guitar Show Gallery 2017

Picture gallery from our visit to The Great Scandinavian Guitar Show in Fryshuset / Stockholm. This was the 21nd edition of the show. We had a splendid time and are already looking forward to go next year again.

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Andy Baxter Bass & Guitars: Q&A

Could you please tell us a little bit about Andy Baxter Bass & Guitars and where you are located? How long have you been in the business?

 Andy Baxter Bass & Guitars was set up in my own name in 2009, at that time I was running the small business from the living room of my flat in East London. By 2011 the business had outgrown the flat so I set up shop in our first proper showroom in Andrew Weatherall’s recording studio on Scrutton Street in Shoreditch, which allowed me to expand even more.  Most recently in 2015 I moved in to the new showroom at 152-154 Hoxton Street, London, N1 6SH. Over the years Andy Baxter Bass & Guitars has established a name as the best place to shop for vintage basses in the UK and recently added vintage 6 string electric & acoustic guitars along with amplification to the inventory. I have always maintained the ‘by appointment only’ approach, as I feel this helps to keep the customers’ buying experience personal as well as allowing the right work/lifestyle balance for myself – that way everyone is happy. Continue reading

Boutique Bass Guitars Equals The New Vintage

By Mike Ippersiel

So what’s the big deal about boutique basses?

Perhaps this is something that you’ve thought to yourself as you’ve looked at high resolution images of handmade or highly customized basses that cost $3,000 and up.

Are they worth more than triple what you can spend to pick up a decent bass off the shelf at your local music store?Do all those exotic woods do anything besides look, well…exotic? Are they really just over-priced pieces of furniture fashioned into the shape of a bass guitar?

Yes and no.

You see, any particular bass guitar is going to be worth more or less money from one person to another. Some instrument collectors will pay outrageous sums of money for rare instruments because they happened to be owned or even were only played a few times by someone famous like Paul McCartney or Jaco Pastorius.
Others may pay to have a bass guitar built by hand that many may feel is either ugly, or even unplayable. It’s true that one man’s trash is another
man’s treasure!

For me, it was the price tag that really put boutique basses on a pedestal for me.

Here I was, a modest rock bassist playing covers and original music who was happy to go home after a gig with $100 bucks in his pocket – what right did I have to daydream about a high-end custom bass guitar? The ‘realistic’ side of me said that I could own a bass like that ‘one day’ when I ‘made it’.

While there is a market for boutique bass guitars that look like furniture and that span 5, 6, 7, 8 strings and beyond, a significant chunk of the high end bass guitar market is devoted to what I’ll call ‘modern vintage’ instruments.

Luthiers like Sadowsky, Mike Lull and Alleva-Coppolo (just to name a few) offer modern takes on the classic Fender Jazz bass guitar – that cost several times more than it would cost to just pickup up an actual Fender bass yourself.

So why pay more for a ‘copy’ than buying the original bass from the actual manufacturer?
The reality is that the art of creating a bass guitar has changed dramatically in the last few decades.

Basses are now mass produced and outsourced to overseas operations all in the effort to keep them as affordable as possible. While this is great for the typical musician, the professionals and perfectionists among us have often lamented that many of the instruments just don’t feel or sound as good as the basses made back in the 60s and 70s.

Part of the reason for this could be using inferior woods, rushing the manufacturing process and not allowing even the quality woods to age sufficiently.

Perhaps in an effort to trim back costs to compete in the global market place, wages were reduced to the point where it’s not as economically viable for master craftsman and women to be employed at some of the bigger name companies?

Whatever the reason, the best advice I’ve heard and often repeated when it comes time to buy a new instrument – especially one that’s mass produced by one of the more popular brands out there – is to play as many as you can and let your hands and your ears tell you which one to buy.

In a perfect world, you should be able to just walk into a store and pick the model you like the best and get it in your preferred colour and walk out. You wouldn’t worry about another bass sounding better because they’d all sound the same right?  However, even among the most reputable manufacturers the consistency may fluctuate from bass to bass.

With Fenders I’ve heard of some people exclaiming that Made in Mexico basses were as good or better than Made in America basses – but you’ll only find that gem of a great sounding bass at a more affordable price if you’re willing to hunt for it. So again the advice, play every bass you can get your hands on, play every bass in the store and buy the one that sounds and feels the best to you.

Do you see where I’m going with this?Advantages of using a luthier?
Time is a huge factor behind why many people are more than happy to pony up the big bucks for a modern take on a vintage classic. They can chat with the luthier about what they’re looking for and get it made to order – the finish, the string spacing, the woods, the hardware – whatever.

Compared to hitting every music store in every neighbouring city within an hour’s drive; or camping out on Ebay or classified ads sites waiting for a certain vintage bass to come up for sale, the amount of time saved can be tremendous…and we all know that time is money right?

Plus, who’s to say that when you finally do find that vintage Fender that you’ve been pining over for years that you won’t pick it up and find the dreaded ‘dead spot’ after plunking a few notes?

Going the custom route alleviates a lot of those difficulties; many of the luthiers have exceptional warranties to go with the instrument. After all, it’s their name on the headstock and they want to make sure every customer is going to speak highly of their products and customer service.

Then again…
Boutique basses aren’t really about a particular style of music, or the status of the player – you don’t have to be a celebrity to own these high end basses (and I’d argue that the vast majority of owners are nowhere near famous)– the instrument just needs to offer that something that you can’t easily find elsewhere to make it worth the cost.

For some, it’s a replica of a vintage bass guitar that they always loved but could never find. For others, a boutique bass is where they get to tailor things like the weight, the neck shape and depth or the number of strings that the mass produced versions just can’t do in an economical fashion. Still others want the best of traditional styling and a 20 fret fingerboard along with modern features like a low b string and active electronics.

Whatever your reason, boutique basses are worth a closer look whether you find modern instruments lacking or covet extremely rare vintage bass guitars that are in short supply.

In the end you might find the biggest pain is not how much the custom basses cost, but the agony of waiting for your boutique bass to be built!

You can learn more about boutique bass guitars and more by visiting http://bassguitarrocks.com/how-do-i-buy-a-custom-boutique-bass-guitar
– thanks for reading!

Boutique Bass Guitars Equals The New Vintage

By Mike Ippersiel

So what’s the big deal about boutique basses? Perhaps this is something that you’ve thought to yourself as you’ve looked at high resolution images of handmade or highly customized basses that cost $3,000 and up.

Are they worth more than triple what you can spend to pick up a decent bass off the shelf at your local music store? Do all those exotic woods do anything besides look, well…exotic? Are they really just over-priced pieces of furniture fashioned into the shape of a bass guitar?
Yes and no.

You see, any particular bass guitar is going to be worth more or less money from one person to another. Some instrument collectors will pay outrageous sums of money for rare instruments because they happened to be owned or even were only played a few times by someone famous like Paul McCartney or Jaco Pastorius.

Others may pay to have a bass guitar built by hand that many may feel is either ugly, or even unplayable. It’s true that one man’s trash is another man’s treasure! For me, it was the price tag that really put boutique basses on a pedestal for me.

Here I was, a modest rock bassist playing covers and original music who was happy to go home after a gig with $100 bucks in his pocket – what right did I have to daydream about a high-end custom bass guitar? The ‘realistic’ side of me said that I could own a bass like that ‘one day’ when I ‘made it’.

While there is a market for boutique bass guitars that look like furniture and that span 5, 6, 7, 8 strings and beyond, a significant chunk of the high end bass guitar market is devoted to what I’ll call ‘modern vintage’ instruments.

Luthiers like Sadowsky, Mike Lull and Alleva-Coppolo (just to name a few) offer modern takes on the classic Fender Jazz bass guitar – that cost several times more than it would cost to just pickup up an actual Fender bass yourself.

So why pay more for a ‘copy’ than buying the original bass from the actual manufacturer?

The reality is that the art of creating a bass guitar has changed dramatically in the last few decades.
Basses are now mass produced and outsourced to overseas operations all in the effort to keep them as affordable as possible. While this is great for the typical musician, the professionals and perfectionists among us have often lamented that many of the instruments just don’t feel or sound as good as the basses made back in the 60s and 70s.

Part of the reason for this could be using inferior woods, rushing the manufacturing process and not allowing even the quality woods to age sufficiently.

Perhaps in an effort to trim back costs to compete in the global market place, wages were reduced to the point where it’s not as economically viable for master craftsman and women to be employed at some of the bigger name companies?

Whatever the reason, the best advice I’ve heard and often repeated when it comes time to buy a new instrument – especially one that’s mass produced by one of the more popular brands out there – is to play as many as you can and let your hands and your ears tell you which one to buy.

In a perfect world, you should be able to just walk into a store and pick the model you like the best and get it in your preferred colour and walk out.

You wouldn’t worry about another bass sounding better because they’d all sound the same right?

However, even among the most reputable manufacturers the consistency may fluctuate from bass to bass.
With Fenders I’ve heard of some people exclaiming that Made in Mexico basses were as good or better than Made in America basses – but you’ll only find that gem of a great sounding bass at a more affordable price if you’re willing to hunt for it. So again the advice, play every bass you can get your hands on, play every bass in the store and buy the one that sounds and feels the best to you.

Do you see where I’m going with this? Advantages of using a luthier?

Time is a huge factor behind why many people are more than happy to pony up the big bucks for a modern take on a vintage classic. They can chat with the luthier about what they’re looking for and get it made to order – the finish, the string spacing, the woods, the hardware – whatever.

Compared to hitting every music store in every neighbouring city within an hour’s drive; or camping out on Ebay or classified ads sites waiting for a certain vintage bass to come up for sale, the amount of time saved can be tremendous…and we all know that time is money right?
Plus, who’s to say that when you finally do find that vintage Fender that you’ve been pining over for years that you won’t pick it up and find the dreaded ‘dead spot’ after plunking a few notes?

Going the custom route alleviates a lot of those difficulties; many of the luthiers have exceptional warranties to go with the instrument. After all, it’s their name on the headstock and they want to make sure every customer is going to speak highly of their products and customer service.
Then again…

Boutique basses aren’t really about a particular style of music, or the status of the player – you don’t have to be a celebrity to own these high end basses (and I’d argue that the vast majority of owners are nowhere near famous)– the instrument just needs to offer that something that you can’t easily find elsewhere to make it worth the cost.

For some, it’s a replica of a vintage bass guitar that they always loved but could never find. For others, a boutique bass is where they get to tailor things like the weight, the neck shape and depth or the number of strings that the mass produced versions just can’t do in an economical fashion. Still others want the best of traditional styling and a 20 fret fingerboard along with modern features like a low b string and active electronics.
Whatever your reason, boutique basses are worth a closer look whether you find modern instruments lacking or covet extremely rare vintage bass guitars that are in short supply.

In the end you might find the biggest pain is not how much the custom basses cost, but the agony of waiting for your boutique bass to be built!

You can learn more about boutique bass guitars and more by visiting http://bassguitarrocks.com/how-do-i-buy-a-custom-boutique-bass-guitar
– thanks for reading!

Why I Love My Electric Bass – Guest Blog by Christian Houmann

Hallo and welcome to my blog. My name is Christian Houmann. This blog will be the first of many and I will write about my love and passion for music and my desire for the electric bass.

Christian Houmann

I have played the bass for the last 15 years. I’m considering myself a musician, which happens to play the bass mostly. I would love to be a singer, but I don’t have a great singing voice so therefore I will leave that to the thousands of those amazing singers around the world. Singers have the ability to carry their instrument along with them always. Those of us who are an instrumentalist need our tools to perform. While singers have their own unique sound and will always have that sound unless they are able to change it. In the search of your sound you’ll have to find an instrument which fits you and have the sound you are looking for.

As a solo artist I believe you must find your own sound. For example guitar players such as Pat Metheny and Mike Stern. They both play the jazz, rock & fusion but still they have their own sound. So the listener can tell who it is within the first 5 seconds of listening to them. Marcus Miller and Jaco Pastorius both have different sound even though they both are playing a Fender jazz bass. Jaco Pastorius has been dead for almost 30 years, so he is obviously not playing a jazz bass anymore. But every time you hear a fretless jazz bass with bridge pickup on, you think of Jaco.

Most players care for their instruments and you often get a close relationship to some of your instruments. Your first instrument is sometimes very special. I remember my first bass. I was 12 and hadn’t played bass before. I got a 4 string white Yamaha. It was very cheap but a good instrument. I really don’t know why, but I felt that I needed a 5 string bass to become a better player. So I worked hard that summer and earned the money to get an Ibanez 5 string in a metallic blue color. I listened to Guns’n’Roses before I started to play bass, but then a friend of mine who is a drummer introduced me to Primus and from that day I was one of the biggest Primus fans in Denmark. Les Claypool’s bass play blew me away (Still does). Soon I wanted a bass like Les Claypool’s bass. But at that time there wasn’t that much info on the internet about basses or at least I didn’t know where too look. I found out that he was playing a Carl Thompson bass but that was about it.

Later I saw a catalog for Warwich basses and I found a bass, which looked a bit like Les Claypool’s main 4 string. It was a Fortress one 4 string and it had that long upper horn which was similar to Les Claypool’s bass. This bass I played for a few years and then I moved on to a Fender Jazz bass. A lot people told me that every bassplayer should have a Fender because it had the same look and sound as always and it wasn’t about to change. It was a sunburst 62’ reissue jazz bass and it had a great Fender sound. It was warm and could fit in to all different kind of music. I became better bassplayer and started being more into solo bass players and tried to learn from them all. Marcus Miller, Stanley Clarke and Victor Wooten were some of my biggest influences. I got the Bassday 98’ with Victor Wooten on VHS and from that day I knew that I wanted a bass like his. That bass was a Fodera. His bass sounded so good. So clear in sound and very very cool looking. He was playing his second version of his Yin & Yang bass. His first Yin & Yang bass was actually a Monarch fretless 4. I believe you can find it on his website. I liked my Fender but the strings where far away from the fingerboard and if I tried to lower the strings I got too much frets noise. It was like playing an upright bass!

Christian_Houmann_Fodera_Emperor_Elite_5string_bass

I knew that I had to get a Fodera bass. At that point Fodera where offering a standard Monarch model which had a bolt-on neck and 2 band preamp. Those basses didn’t have different specs so Fodera could make 4 to 6 basses at the same time and keep the cost down.

USA is far from Denmark and I didn’t know anyone who owned a Fodera in Denmark or in the rest of Europe. Fodera are some of the most expensive electric basses in the world. One day I wrote on a Danish Forum for basses about Fodera basses and a guy told me that he owned a Fodera Monarch Elite 4 string. It freaked me out and I asked if we could meet. So I visited him and it turned out that he also had a Matthew Garrison model 4 string and a fretless Beez Elite 4 string (Now called an Imperial 2 model). I tried his Monarch. It had almost the same specs as Victor Wooten’s famous 83’ Monarch. It was an Elite model, which means it had a neck-through and it had EMG soar bars pickups.  The action was very low and smooth to play. After a couple of minutes I knew this was the bass for me and I wanted to buy it from him, but no. He wouldn’t sell it to me. Instead he offered to order a new bass through him because he knew Vinny and Joey from Fodera. I said yes, but at that point I didn’t think of the money. Luckily I was gigging a lot, so my income was pretty good and I was able to do it. I wanted a bass like Victor Wooten, so I ordered a Monarch Deluxe 4 with similar spec like the Victor Wooten model, but without the Tulip marks at the 12 & 24 fret. Vinny suggested me Kingwood for fingerboard. At that point I had no idea about the different kind of wood, so I said yes. I got the bass just after 4 months because they already had a neck ready, which they could use for this bass. Normally the wait for a Fodera is around 2 years.

The bass was the best bass for me and I felt that I could play anything on it. I used it all the time and my Fender 62’ reissue, which I also had at that time got no use at all. So I ended up selling it. The Victor Wooten model featuring a Mahogany body and rosewood fingerboard (Kingwood in my case) was light and mahogany really adds tight lows and very pleasant highs. Together with the EMG pickup, which is crystal clear you have a bass with an amazing sound. My bass with same specs as Victor’s bass also had the same sound as his bass. Surprise. My only problem was that I couldn’t play like him.

Next time I will write about my other basses and how I use them in different settings. Since I’m new at this blogging thing, I would love to hear to if there are things I can change or you things you want to know more about.
Christian Houmann, 1982. Graduated Master of Music from Aalborg Music Academy in 2010.

He has played the bass for the last 15 years with several artists and different bands. He has recorded with jazz fusion groups such as Between the Lines and The New Fuzz and is currently working on his own debut album which releases early 2011.

Visit him at:
www.christianhoumann.dk
www.youtube.com/user/Houmannbass
www.myspace.com/christianhoumann
www.musicacademydenmark.dk
www.facebook.com/Houmannbass

Listen to him here:
www.soundcloud.com/humannoproject